Monday, May 15, 2006

The concept of beauty - 3

This is to follow-up my earlier articles Part-1 and Part-2. After thinking about the last point "Hierarchy of Power / Politics", I feel it is a much broader subject than just about beauty. I intend to write about it in greater detail and will deal with it in a new article. I hope to finish this project soon.

Happy reading !

Edit :: Over to the new article

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Saturday, May 13, 2006

Indian Music Scene

Since its arrival, movie-based music has a firm grip over indian popular music. I am not very sure about the popular music of pre-movie era but some of the ingredients undoubtedly were nautanki, mujra, bhajans, kawwaliis, etc. Today all of this is subsumed within movie-based music. The unfortunate part of it is assembly line production of lyrics, music and singers (don't most of them sing alike ?). I am amazed at the number of distinct songs produced on a single theme (which are mostly on love, seperation or reunion). Surprisingly they occasionally come up with good likeable scores.

As an aside, I am always impressed by the western chart busters. Even though they also have a assembly line of Britney/Vengaboys and their ilk, they deal with a much wider range of emotions and themes than Indian music. The frequency with which they come up with new genres is also very amazing. The Rock movement of 70-80s and Jazz instantly come to my mind. But Rap of 90s and Hip Hop of today are also western innovations. But I am getting astray ... will talk about music genre some other time. On Hindi film music ... these days, we do have some songs which are varied in their themes like Rang de Basanti. Am not too confindent whether this is a trend but I hope so.

In fact, if I analyze my own personal prefenences ... am also influenced by the same dictum so much so that I almost completely ignore non film based music as do all the radio and television channels, in spite of the fact that non-movie music is also assembly-line produced by very much the same guys. As such, there is no reason for such a behaviour, and I can't really give any solid reason for non-movie music not registering in my mind .... it must have something to do with the society I grew up in. This is not true of non-indian music, the appreciation of which is not influenced by my upbringing, and so movies are not any criterion for my registering it.

Here I am talking primarily of Hindi music. And I am sure such a phenomenon holds for other indian languages also.

Friday, May 12, 2006

An Indian Idiosyncracy

Chai - wai ... doodh - woodh ... paani -waani ... khana - waana ...

These utterenaces are so utterly familiar to us, we hardly ever contemplate about them. It usually never strikes us that this is a typical Indian idiosyncracy. As far as I know, nothing of this sort is prevalent in non-indian languages. This is one of the fascinating things, which seems so innocuos at face value but is so surprising if you think about it.

What does it tell about our society ? How did it evolve ? Did we inherit it from other languages ? When did it first make its appearance ? What changes happened in out society which made this popular ? Why is this so pan Indian ? These any many numerous questions come to my mind of which I have no answer at the moment. But I would like to say something about the form it takes.

  1. Marathis usually put a "Bee" sound for this effect. e.g, khaana - beena, raasta - beesta, etc. The interesting thing is that they also change the starting vowel sound.
  2. UP'ites (near Kanpur, Lucknow) do not change the starting vowel sound but add "A" sound. e.g, khaana-aana, paani-aani, etc.
  3. Biharis, some UPites add "W" sound and keep the staring vowel sound intact. Like the examples I gave at the start of this article. Incidentally this is the form preferred in literature. (I am also a Bihari, BTW).
  4. Bengalis add a "T" sound and like the Biharis keep the vowel intact.
  5. Punjabis do this trick with "Sh" sound. movie-shoovie, rotti-shotti, etc.

I am sure the south Indian languages must be having their own such idiosyncracies. And the special form it takes must be having the same diversity so typical of India and her languages. The Marathis stand out in this great Indian melee by changing the starting vowel. Please let me know of the particulars of other languages like Gujarati, Oriya, Assamiya, Kannada, Telugu, Mallu, etc. The only language I suspect this to be absent is Tamil. But am not sure.

Can somebody enlighten me ?